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Hair! Not the musical…

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It cannot have escaped your notice that we are a hairy species. Some more than others for sure, but nonetheless we have hair growing in all kinds of places and for all kinds of reasons. A quirk of our evolution and belonging to the Ape family – big up for our cousins the chimps! I do love chimps. Maybe one reason I love chimps so much is because as much as they love hair grooming, they draw the line and shaving and waxing.

A bald chimp is a sad chimp

A bald chimp is a sad chimp

Do Humans, the so called Naked Ape, take bodily hair grooming too far? And who has the right to make that judgement?

When I was a young girl, maybe 12, there was a girl roughly my age in school who shaved her forearms. The hair on her arms wasn’t especially thick, but it was dark which made her appear more hirsute than she was. Back then this both confused and saddened me – I felt bad that she felt that way about herself, and couldn’t imagine why she would want to do something like that to herself. That was twenty years ago and I can only imagine the pressure that girls and women, young and old, feel in regards to every aspect of their body size, shape and personal grooming.

A powerful image from Glamour (of all places), that hits right on the head the body shaming women endure

A powerful image from Glamour (of all places), that hits right on the head the body shaming women endure

It may be the case that this is more prolific in certain industries – modelling, fashion, acting etc. Essentially any industry that involves the display of the human, and more especially female, body. But lets face it, even in everyday life, people feel free to comment on each others appearance, sometimes not very nicely.

The point I do want to make is that I don’t include burlesque in those industries. That is not to say that some performers haven’t found themselves under pressure to groom in a certain way, but that should you want to take advantage of it – we are in an industry that allows people to dictate rather than be dictated to. We can push boundaries, we can reinvent and counter ideas of femininity, beauty and gender roles if we so choose.

Body hair is one of my favourite topics, I even write about it on my own blog (Cycladic MINGE!!). A couple of years ago I wrote one of CoochieCrunch’s still most popular posts about my pubes. Specifically my desire and enactment of growing an ultra bushy minge. Almost two years on and my grooming routine has changed quite a bit. I am still sporting the 70s style lady lady garden, but I reached a point last year where I decided to give up shaving my armpits.

Cycladic MINGE!!!

Cycladic MINGE!!!

Don’t pity my pits!!

I have shaved my pits for as long as I can remember but I always hated the sometimes too close a shave that left the skin irritable, and often worried about the little skin tag I have near one of my pits. When I stopped shaving, there was no great statement to be made in a way, I was just in the shower one day late last summer and went to grab the razor. As I held it in my hand I just stared at it and thought “what the hell am I doing”. I had a serious back and forth with myself about the pros and cons and even the basic reasoning. And me, myself and I decided it was ludicrous.

I’m not saying I judge anyone else on their armpit grooming, merely that I was struck by the absurdity of it. Why was I really doing this? For whom was I making my armpits bald after mother nature sought to put hair there? And you can bet your ass, hairy or otherwise, she has good reasons to put hair in places!

girlarmpitnoshavenovember

November… or y’know forever :)

I do get the occasional odd looks if wearing sleeveless tops/dresses whilst out or at work, but have only ever been asked about it once – I was asked “why don’t you shave your armpits” or “why do you have hairy pits?”, I replied “why would I?”. They didn’t really have an answer to that but I was ready to counter any that came up. The main overriding reason that I would fall back to on any further questioning would have to be “because its my body and my choice”, but most usually, because I don’t like to lecture, I reply – “because that’s where it grows, it would be stupid if it grew in my elbows, duh!”

Performing since my pit hair has grown out has been interesting. At first it was patchy and stubbly and I was a bit self-conscious about it. But soon it was a lovely and bushy and for a Christmas show I even decorated it with confetti glitter – FYI, not actually very comfortable!

Glittery armpits on Producer & Dancer - Tiger Tiger (c) Peter Tecks

Glittery armpits on Producer & Dancer – Tiger Tiger (c) Peter Tecks

I have not had any comments from fellow performers, it just seems to be accepted, because why not? I have not had comments from audience members, but my responses to them would be the same as above should they question it.

I am certainly not alone in my decision to go au naturale, and one performer who has made it clear she doesn’t give a shit about your opinions on her body hair is Rubyyy Jones. It was awesome to meet her at the Bristol Burlesque Festival and it was great to hear comments from other performers. Her style of introduction is based in feminist reasoning and not along the usual (and antiquated lines) of “the more you cheer the more they take off” (see my previous post on that here), and this goes hand in hand with her attitude. These things together had performers commenting to me that they knew she’d do an awesome introduction because she doesn’t shave her armpits. Others told me how inspired they felt by the fact of her hairy ways, even if they didn’t feel comfortable doing it themselves – isn’t it odd that bald pits is considered the norm? And I was glad to meet someone with similar thoughts and feelings on the subject.

In fact I remember reading this excellent post of hers some time ago – one of my favourite lines from which is “I love the ultra feminine blend of sequin dresses, glittering jewels and a full armpit of hair.” And this is something I have enjoyed too – playing with peoples ideas of what it is to be feminine, with my hairy pits whilst wearing a beautiful dress.

Expert at pushing boundaries! The fabulous Rubyyy Jones at the Bristol Burlesque Festival (C) Michael Goes Click

Expert at pushing boundaries! The fabulous Rubyyy Jones at the Bristol Burlesque Festival (C) Michael Goes Click

What about the rest of your body hair?!!

I’m glad you asked, and I hope people don’t think that I cop out by shaving my legs, because really that is not the case, and I want to explain why.

First of all, I inherited my Mother’s crappy hair growing genes. That is to say, my mother has never in her life shaved her armpits or legs and yet has barely any hair on either. So as with my pubes in my previous adventure, my armpit hair is not as luscious and bushy as I would hope, but it’s not too shabby. My leg hair is another story.

The hair on my legs is so fine and patchy that in reality it only needs to be shaved/waxed quarterly at the most. In fact when performing, especially if wearing tights, I don’t groom it at all, and I doubt anyone has ever even noticed. That said, I do still shave my legs, even if infrequently, and the reason is for my own comfort. When what little hair there is gets to a certain length it does not grown like the lovely downy fluff I wish it would, but sticks out at an almost 90 degree angle and makes it super uncomfortable to wear clothing (leggings, tights, etc) next to my skin. It’s like smoothing a cats hair backwards (why would you do that!).

Seriously, don't smooove him backwards!

Seriously, don’t smooove him backwards!

The point I want to make is that I shave my legs for the same reasons I don’t shave my armpits – because it is my choice and for the sake of my own comfort and well being. We encounter a lot of people in this world who are happy to jump all over something they see as a contradiction, and as humans, as women, we have to remember to stand our ground and remind them that it is our choice.

Removing some, all or no body hair is completely down to the individual, no one else on this planet (or any other for that fact), has the right to tell or impress on someone that their choice is wrong. Regardless of your reasoning for that choice, if it isn’t hurting anyone (including yourself), they you go right ahead and keep doing it. I’m with you, we’re all with you, hairy, bald and everything in between!!

Everyone has the reasons - its their choice whether to shave or not!

Everyone has the reasons – its their choice whether to shave or not!



Quote for the Week

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All your life, you will be faced with a choice. You can choose love or hate. I choose love. – Johnny Cash

Johnny Cash

Johnny Cash


A Stripper’s Guide to Bristol

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Welcome to Bristol (c) Ally Katte

Welcome to Bristol (c) Ally Katte

Where to stay:

If you choose to stay over while you’re here, take these points into consideration:

The Hilton Garden city centre hotel is NOT that close to the city centre but it is right next to the train station, so pick your priorities with that one.

Thanks to Eli Roth the term ‘Hostel’ now strikes fear into everyone’s hearts, but The Bristol Backpackers hostel, Full Moon hostel and Rock n Bowl hostel are all in great, central locations, clean but basic and cheap at as little as £20 for a private room, even less if in groups or sharing.

On arrival:

By Train

Its very, very unlikely that you will be performing anywhere near Bristol Parkway station, so unless told otherwise by your promoter always book your train to Bristol Temple Meads. It is a walkable distance to the city centre, 15 mins normally or 20-25 with a big case, but unless you know the city it’s best to hop on a bus. Numbers 8 and 9 run frequently into the city centre from Temple Meads. There is also a taxi rank at the station that is never empty.

BRISTOLAND (c) Tuesday Laveau

BRISTOLAND (c) Tuesday Laveau

By Coach

If you are taking National Express or Greyhound your coach will arrive in the central Bus Station. This is super close to the main shopping areas Broadmead and Cabot Circus, and a cool and groovy part of town known as Stokes Croft. It’s a short 10 minute walk to the ‘City Centre’.

The James Barton Roundabout underpass, colloquially known as The Bear Pit, can be a bit dicey at night so we don’t recommend walking that way after dark. If you think you may have to please ask your producer to suggest an alternative route or someone local to accompany you. Don’t worry about sounding silly, they will totally understand!

If you are getting the Megabus you will be dropped off outside the Colston Hall music venue, which is right in what’s known as the City Centre or The Fountains for obvious reasons when you see it.

Food & Drink:

My absolute favourite place to eat is Biblos on Stokes Croft, it’s essentially Lebanese food with a twist. Their wraps are huge and tasty. You get to pick your fillings, my personal favourite being haloumi and jerk fried chicken. They also do salads and side dishes but everyone just goes for the wraps.

Bibilos, Stokes Croft, Bristol (c) Ally Katte

Bibilos, Stokes Croft, Bristol (c) Ally Katte

Also on Stokes Croft is Cafe Kino, the most well known vegan establishment in the area. Vegans will generally find at least one vegan option in most restaurants in the City. Also, Number 51, a lovely pub that does great pizzas and is the best place for gluten free pizzas in my opinion.

Further up Gloucester Road you will find some great places to eat including Atomic Burger (a huge range of gourmet burgers), The Hobgoblin (Awesome in-house barbecued meats. Be sure to try the Dirty Dirty Fries fries, pulled pork, blue and cheddar cheeses, coriander dressing and chipotle mayo.) The Gallimaufry is our local ‘home cooking and curios bar’, fancy booze and nice food while surrounded by some fantastic and surreal art work. Also along Gloucester Road are a number of Thai and Korean restaurants, all tend to be BYO.

Gallimaufry, Stokes Croft, Bristol (c) Ally Katte

Gallimaufry, Stokes Croft, Bristol (c) Ally Katte

In the City Centre the Caribbean bar and restaurant Turtle Bay does great cocktails and has very long happy ‘hours’. The Lanes is a 50s style bar, restaurant and bowling alley with a good range of American beers and fun music. Classic Bristol rock pub The Hatchet is full of metal and rock types, it’s pretty simple in terms of it’s range but it’s a good stop for the more alternative of gals. On a smaller scale but of a similar style and just round the corner is The Gryphon. Also near the Hatchet is well known Bristol gay bar The Queenshilling which plays host to the only alternative gay night in the city, PsychoDrama.

The Waterfront bars are probably best avoided on Friday and Saturday nights however, leering men in salmon pink shirts are said to roam in packs. But during the day and weeknights they can be rather pleasant, these include Number 1 Harbourside, The Stable, Bourdeaux Quay and just of Millenium Square are Las Iguanas and The Cuban.

The King William on King Street is a lovely old fashioned pub serving only Samuel Smiths products and very reasonably priced for a city centre pub. A few doors down is the gorgeous Beer Emporium, a subterranean bar filled with hundreds of beers from around the world, a great wine list and good food, I consider this place to be a must visit! Further down the road are two legendary pubs The Old Duke, which specialises in live jazz, and The Llandoger Trow which is rumoured to be Bristol’s oldest pub and haunted! And what is Bristol without cider?! Also on Kings Square is Bristol’s only cider boat, The Apple. Serving a big range of proper ciders and a damn good cheese board this is a must for Summer.

If you’re feeling flush The Rummer, located in St Nicholas Market, is the by far the best place for cocktails. It has a stunning range of spirits, as well as fine wines and beers. The food is great though has had a change of head chef, but the quality is still supposed to be excellent. Adjacent to the market is Corn Street and this is to be avoided like the plague of a weekend, with it’s Slug and Lettuce and Walkabout and other such establishments it’s another stomping ground for pastel shirted louts. Though the Wetherspoons is fine during the week. Near Corn Street are the bars/restaurant combo’s Big Chill and Start the Bus. Both have good menus of American Diner inspired dishes and a good range of fancy beers though the prices are rather on the high side.

We get new and fun bars and restaurants in Bristol on pretty much a monthly basis so don’t forget to ask your promoter and the local performers for recommendations.

Shopping:

Get in loser, we're going shopping

Get in loser, we’re going to Fabricland

The main shopping areas of Bristol are Cabot Circus and Broadmead, these are adjacent to each other and have all the typical high street stores. There is a gigantic Primark, a big Debenhams, House Of Fraser and Harvey Nichols, as well as a sizeable TK Maxx, two H&M stores, Topshop, Urban Outfitters and most of the other run-of-the-mill clothes shops.

Near Cabot Circus is the perennial stripper favourite, Fabric Land, which is great for fabrics (well duh) and trim but it’s applique section leaves much to be desired. Park Street, which is on the other side of ‘The Fountains’ has a number of nice clothes stores, bars and restaurants. Clifton Village has it’s own little shopping centre but it’s mostly rich, middle aged lady clothes and antiques.

Stokes Croft/Cheltenham Road and Gloucester Road, the more bohemian part of town, has a wealth of clothing stores, vintage stores, charity shops and unfortunately the odd mini supermarket. If you get the chance to go to Easton, a part of town just outside the city centre, it is full of Indian and Asian stores and hair shops, great for jewelry and fake hair!

Key stores for strippers would definitely include Fabricland, Cox and Baloney – vintage store on Cheltenham Road, Primark – The Horsefair, Victoria London – Hair Store and afro/Indian cosmetic shop in Broadmead opposite Primark, Dutty Girl – Independent clothing, music and spray paint store in Stokes Croft, Repsycho – Vintage Shop on Gloucester Road, Poundland (don’t act like you don’t love it) on The Horsefair.

Things worth staying the whole weekend for:

We have some great museums and galleries in Bristol. A great start is MShed which tells the story of Bristol and it’s people and it’s free too! Then there is Bristol Museum and Art Gallery which has a great permanent collection including a fantastic geology section, a huge array of taxidermy and a gorgeous gypsy caravan.

Gypsy Caravan interior at Bristol City Museum (c) Tuesday Laveau

Gypsy Caravan interior at Bristol City Museum (c) Tuesday Laveau

The museum also hosts travelling exhibitions including the Wildlife Photographer of the Year and has previously seen an exhibition by Banksy and performance by Dita Von Teese. On Nelson Street there is a permanent exhibition of street artists from around the world, this is in addition to the wealth of street art on display throughout the city. In the summer there is a street art festival in Bedminster called UpFest which is another must for fans. The Weapon of Choice gallery, just off Park Street, has awesome exhibitions from local and international street artists where you can buy their work too. And The Here Gallery and Shop have a similar set up and are in Stokes Croft.

Bristol 'Upfest' art (c) Ally Katte

Bristol ‘Upfest’ art (c) Ally Katte

There are lots and lots of lovely Churches to take in too with Bristol Cathedral, Clifton Cathedral and St Mary Redcliffe being top of the list.

Every year Bristol hosts a number of festivals including The Harbour Festival, Jazz festival, a number of foodie festivals and some inner city music festivals have taken place in our parks in the last few years. Bristol is also great for clubbing if you are into all kinds of dance music, especially drum and bass, breakcore, jungle and dubstep. Though some of these venues can be a bit scary for a first timer and we wouldn’t suggest going alone if you’ve never been to the city before.

We have a number of lovely parks, Castle Park being one of the most central and features a bombed out church, lovely community gardens with the ‘Floating Harbour’ running alongside. Clifton Down is just next to the world famous Clifton Suspension Bridge, which then runs along to beautiful woodlands of Leigh Woods and the Ashton Court stately home.

If you’re planning on staying a few days don’t hesitate to ask one of the locals to give you the tour!

If there are any essential places you feel have been missed off please email Ally at ally.katte@gmail.com and we will try and get it included. Ally Katte is a Bristol based Burlesque Performer, The Siren of Stokes Croft who takes great delight in showing her city to visiting performers


Quote for the Week

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Calvin & Hobbes on being a genius. (c) Bill Waterson

Calvin & Hobbes on being a genius. (c) Bill Watterson


Burlesque Dancers & Their Tattoos

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It’s kind of a grey Monday afternoon here in Bristol, so let CoochieCrunch install a little colour in to your day with one of our favourite things: Tattooed Burlesque Dancers.

No editorialising. No bullshit. Just women and their tattoos and their story. Enjoy.

Tuesday Laveau

Artist: Marcos Attwood, Broad Street Studio, Bath

Tuesday Laveau & two of her tattoos, both By Marcos at Broad Street Studios, Bath. Image (c) Michael Goes Click

Tuesday Laveau & two of her tattoos, both By Marcos at Broad Street Studios, Bath. Image (c) Michael Goes Click

For me, it’s simple, I believe that our bodies are temples to be adorned as we wish. All of my tattoos are tied to a certain time and space. Some of them are very particular, others I got just because I liked the design or the artist. Other than the obligatory butterfly on by butt (from Electric Ladyland on Frenchman Street, New Orleans) I don’t have any girly tattoos. People, mainly men, most frequently comment on the Wolf (by Marcos at Broad Street, Bath) on my arm. I love him. His tongue is lolling out as he runs forward full of kinetic energy, free and wild and that resonates with me.

Didi Curv’e

Artist: Katan Costello, Two Hearts Tattoo, Cardiff

Didi Curv'e & her tattoo by Katan Costello at Two Hearts Tattoo, Cardiff (c) Roy Barry

Didi Curv’e & her tattoo by Katan Costello at Two Hearts Tattoo, Cardiff (c) Roy Barry

There are several reasons why I got my tattoo, the main is I have a long term chronic health condition that causes scars across my body, I have lived with this for 6 years and it is one of the reasons why I got into burlesque. When I perform I used to wear 2 pairs of tights, a pair of thick dance tights, with a pair of dance fishnets over the top. I then wear camouflage make up to cover other scars. I have particularly bad scaring on my thighs and inner thighs. I haven’t been able to go swimming as a result for many years. This year I used my pre40 list as an excuse in a way to tackle my demons. I wanted something that was colourful, beautiful and represents me. I’m known in my day job as the woman with a flower in her hair by staff and patients, so wanted that picked up in the artwork.

I love it so much and it has changed my life, look….no tights!

Poppy Raine

Artist: Leah Moule

Poppy Raine & her Alice in Wonderland tattoo by Leah Moule (c) Richard Matthews

Poppy Raine & her Alice in Wonderland tattoo by Leah Moule (c) Richard Matthews

Since I started getting tattooed I haven’t really planned them all that well, so I wanted to get some artwork done by an artist I love and of something that’s a little more meaningful to me. I have admired Leah’s work for years, her use of colour is so vivid and eye catching. I decided on Alice in Wonderland as I loved the film as a kid, it was one of those I could watch over and over and never get bored of. I wanted to keep the and bright colours but make it a little more dark and include a sexy “pin-up” style Alice, can’t wait to see the sleeve finished this month.

Ally Katte

Artist: Ben Boston, The Tattoo Studio, Bristol 

Ally Katte & her tattoos by Ben Boston, Bristol (c) Tony Barratt Powell Photography

Ally Katte & her tattoos by Ben Boston, Bristol (c) Tony Barratt Powell Photography

All of my tattoos are pretty pictures that I wanted to carry around with me because I think they make me look cool and badass.

Ruby Derriere

Artist: Nick ‘Dock’ Crocker, Holey Skin, Bristol

Ruby Derriere & her tattoos by Nick 'Dock' Crocker, Holy Skin, Bristol (c) ishootgirls Photography

Ruby Derriere & her tattoos by Nick ‘Dock’ Crocker, Holy Skin, Bristol (c) ishootgirls Photography


Quote for the Week

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I once wore a peekaboo blouse. People would peek and then they’d boo. – Phyllis Diller

Phyllis Diller

Phyllis Diller


Stripper Tips: How to Get Started as a Burlesque Dancer

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From my aching right knee and Dancer’s heart, I mean every word.

Tuesday Laveau (c) TBP Photography

Tuesday Laveau (c) TBP Photography

1. Work hard & hustle.

2. Go to shows, talk to people and meet producers.

3. Talk to local, national & international performers.

4. Learn how to sew.

5. Buy a hot glue gun.

6. Pick a song that moves you, choose an appropriate concept and create an act.

7. Use Youtube to check that your act is original. It probably won’t be.

8. Be kind to your fellow performers.

9. Do not undercut other performers.

10. Earn your spot on the stage. No one ever owes you a slot.

11. Don’t work for a promoter who makes you uneasy or one who is vague about conditions or pay.

12. Don’t work for free. I don’t care if you don’t want/need the money, when you work for free you take money out of my pocket.

13. Prepare to be rejected. A lot. Don’t take it personally.

14. Film your acts to apply for shows and so you can see what needs to be worked on.

15. Stretch all the time.

16. Never stop dancing.

Tuesday Laveau

 


Quote for the Week

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I’ve been around so long I’ve done everything but porno and rodeo. – Bea Arthur

Bea Arthur

Bea Arthur



Apply Here May 3 to June 1 2014

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Originally posted on Bristol Burlesque Festival - Guerrilla Burlesque:

Applications for the 2014 Festival will open 3 May 2014.

Do you have an act that is weird and wonderful and filled with Badass Booty Shaking? Then The Bristol Burlesque Festival would love to hear from you!

Just follow the instructions below.

1. Follow the link here to send your £5 application fee. (Why is this?)

2. Forward your receipt to BristolBurlesqueFest@gmail.com with BBF Application as the email subject. Please use this email subject to ensure we don’t miss your email.

3. You will then receive the application form within 3 working days.

4. Simply fill in the form and return to BristolBurlesqueFest@gmail.com by 1 June 2014 with (Your Name) Application as the email subject.

Forms must be 100% complete to be considered.

5. Good luck and thank you for taking the time apply!

We will be accepting applications for the Bristol Burlesque Festival from 09:00 GMT 3 May 2014…

View original 92 more words


Maya Angelou

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Dr. Maya Angelou was a force that stayed with me from early teen-hood through adulthood. I remember first being introduced to her through her memoir I Know Why the Cage Bird Sings  by my beloved 7th grade English teacher, Mrs. Brooke Dingledine. I read and re-read it captivated by the luscious prose that somehow never became overwrought. I related to the protagonist, Maya and was heartbroken at her rough treatment by not just society but by actual, individual human beings. As Maya slips in to near muteness, she regains her voice under the firm tutelage of Mrs. Bertha Flowers and an encouraged love of books and reading. This, I understood.

I know Why the Caged Bird Sings by Dr. Maya Angelou

I know Why the Caged Bird Sings by Dr. Maya Angelou

As an older teenager, I became interested in James Baldwin and subsequently discovered Maya Angelou’s poetry. And Still I Rise sat on my bookshelf next to Sylvia Plath’s Ariel. The words, ploughed from the red clay of Western Africa, sent up the Mississippi River and settled in to the frenetic pace of New York City. Once again, I was captivated by Miss Maya.

James Baldwin & Maya Angelou

James Baldwin & Maya Angelou

As dance became, and continues to become, the focus of my life, I returned once again to Maya Angelou. Through her work I learned about Alvin Ailey and Pearl Primus.  Her performances are like her prose; fluid, heady, powerful, weighty and lighter than air. The photos of her dancing excite me. Her lines are flawless. I refer to them frequently to remind me to work harder, get stronger.

Maya Angelou, the dancer.

Maya Angelou, the dancer

I currently do not own a single book by Maya Angelou. I have purchased a number of her memoirs and collected works over time, but I have always given them away. There is always someone in need of the warm embrace and steely gaze of Miss Maya.

There are so many quotes from Maya Angelou that I could close here with. I choose this one.

“Everything in the universe has a rhythm, everything dances.” – Maya Angelou

Maya Angelou

Maya Angelou


Quote for the Week

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I don’t want people who want to dance, I want people who have to dance.  - George Balanchine

George Balanchine

George Balanchine


Quote for the Week

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If you’re quiet, you’re not living. You’ve got to be noisy and colorful and lively. – Mel Brooks

Mel Brooks

Mel Brooks


Dr. Sketchy’s Bristol Celebrates First Birthday!

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Old school glamour, captivating cabaret and local circus artists will all join Dr Sketchy’s Bristol in celebrating it’s one year anniversary, with a one off special event hosted at Pink Kitten Dance School in July.

Dr. Sketchy's Bristol Is One!

Dr. Sketchy’s Bristol Is One!

Dr. Sketchy’s is the setting for life drawing classes with a difference. Fusing classic drawing techniques with contemporary trends and styles, it allows artists to express themselves in a fun and exciting atmosphere. Since its foundation in New York City in 2005 by Ms Molly Crabapple, Dr. Sketchy’s has wasted no time in spreading its creative vibe all over the world, and gaining credibility in each city it dwells.

Didi Curv'e at Dr. Sketchy's Bristol

Didi Curv’e at Dr. Sketchy’s Bristol

Over the past year Bristol has hosted seven Dr Sketchy ‘sell out’ sessions in which talented artists have been inspired by Circus performers, burlesque artist, drag queens, singers and even ‘Alfred’ popped down from the museum for a session.

Dis Charge at Dr. Sketchy's Bristol

Dis Charge at Dr. Sketchy’s Bristol

‘I’m overwhelmed and thrilled with the response we’ve had for our unique ever growing art school,’ says Bristol’s Sketchy’s founder Boo, ‘Creative and vibrant, stylish and edgy; Bristol’s notorious underground art scene has proven to be the perfect home for Dr Sketchy’s ‘anti-art’ school.’

‘Our school is independently run and exists through hard work, persistence and support from our fans and friends! I would also like to thank local business Bristol Fine Art shop, Beesting Events and Pink Kitten Dance School for they’re kindness and support through our first year…here’s to the next 10’

Dr Sketchy’s attracts a dynamic and varied crowd of artists, from graffiti fans, to fine artists and enthusiastic first-time scribblers, producing a giddying array of different styles. Some use pencil, others ink, chalk, acrylics, sometimes even iPads. You can see some of the fabulous work produced on the Dr Sketchy’s Bristol website and Facebook pages.

Honey Holiday by Stefan Marjoram

Honey Holiday by Stefan Marjoram

Each class is a three-hour, fun-filled session featuring fantastic costumes and the opportunity to see live performances from some great name on the UK’s alternative cabaret scene.

Unlike most art classes, silence is not mandatory and you can enjoy a drink from the bar while listening to there groovy psychedelic soundtrack as you sketch.

‘ There’s no need for fear: our doors are open to artists of all persuasions, experienced and amateur alike—even stick-man scribblers!’

For more information about Dr. Sketchy’s Bristol:

drsketchybristol@gmail.com

http://www.drsketchybristol.co.uk/

https://www.facebook.com/pages/Dr-Sketchys-Bristol/509275919119867


CoochieCrunch Presents: Outlandish, Outlawed & On the Run June 27

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CoochieCrunch returns this June 27 2014 in the heat of the night to bring you fierce law breakers, ball busters and renegades the likes you never seen before!

June 2014

All in the luscious setting of Bristol’s Number One Magic Bar, Smoke & Mirrors.

All hosted by your number one Law Breaker and Ball Breaker, Dis Charge!

Dis Charge (c) Dis Charge

Dis Charge (c) Dis Charge

Recidivist Line-up:
Lynn Ruth Miller 

Lynn Ruth Miller (c) Lynn Ruth Miller

Lynn Ruth Miller (c) Lynn Ruth Miller

Tuesday Laveau 

Tuesday Laveau (c) iSourceArts

Tuesday Laveau (c) iSourceArts

Screaming Keating

Screaming Keating (c) iSourceArts

Screaming Keating (c) iSourceArts

Lilly Laudanum 

Lilly Laudanum (c) Rock Star Photos

Lilly Laudanum (c) Rock Star Photos

Primrose Proper 

Primrose Proper (c) Miss Moth

Primrose Proper (c) Miss Moth

Arabella Sparkles

Arabella Sparkles (c) Arabella Sparkles

Arabella Sparkles (c) Arabella Sparkles

Ivan Van Der Fluff

Ivana Van Der Fluf (c) David Hammonds

Ivana Van Der Fluf (c) David Hammonds

Tickets Are Here: 
Pre-Sale £8.50 plus £0.50 processing fee 
On the door £10.00

(NB: We do not issue physical tickets please bring your email receipt with you for entry)

Doors 8pm
Show 9pm – 10pm
10pm onwards, party with us!!
Smoke & Mirrors, Denmark Street, Central Bristol

Please note:
Your email receipt is your ticket, please bring it with you to the show.


Burlesque Workspaces

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Non-performers seem to be fascinated by the backstage. Photographers always want photos backstage and audience members want to sneak backstage. The magic and mystique of the backstage is so powerful, that when they do get back there, they don’t even look disappointed to find out that a Burlesque Backstage is usually an oversized cupboard with us chattering amongst ourselves while picking our G-strings out of our butts.

This obsession with the allure of the backstage ignores one key fact; the real magic happens weeks, months earlier in the Burlesque Workspace. The place where we cut, sew, glue and drink too much coffee. It’s the scene of 2am tears of frustration when you realise you sewed the zip in the wrong way (again!) and the place of 9am triumph when the crystal glue is set and it’s finally all come together.

With Burlesque Dancers frequently being city dwellers, these workspaces only occasionally exist in their own space.  Often, it may be a coffee table in the centre of the living room, a kitchen table that we’ve long given up hope of ever being able to eat at again, a desk in the corner of the bedroom that is never used for paperwork. These spaces overflow with fabric, pins and hot glue sticks and are a testament to the creativity and diverse skill set possessed by every Burlesque Dancer and performer I know.

Here, these dancers share their workspaces and give you an insight to the what happens before we take to the stage.

Jennifer Valentine

“This is my craft space, messy but mine and mine alone.”

Jennifer Valentine of Give Us a Toile Workspace (c) Jennifer Valentine

Jennifer Valentine of Give Us a Toile Workspace (c) Jennifer Valentine

Sandy Sure

“The place where I’m at my happiest.”

Sandy Sure's Workspace (c) Sandy Sure

Sandy Sure’s Workspace (c) Sandy Sure

Dis Charge

Dis Charge's Workspace (c) Dis Charge

Dis Charge’s Workspace (c) Dis Charge

Ally Katte

“The Katte Cave.”

Ally Katte's Workspace (c) Ally Katte

Ally Katte’s Workspace (c) Ally Katte

Lou Leigh Blue

“Here’s where the magic happens and by magic I mean blood, sweat and burns happen.”

Lou Leigh Blue's Workspace (c) Lou Leigh Blue

Lou Leigh Blue’s Workspace (c) Lou Leigh Blue

Darlinda Just Darlinda

“I work in the corner of my living room.”

Darlinda Just Darlinda's Workspace (c) Darlinda Just Darlinda

Darlinda Just Darlinda’s Workspace (c) Darlinda Just Darlinda

Tuesday Laveau

“The place I can most frequently be found at 2am.”

Tuesday Laveau's Workspace (c) Tuesday Laveau

Tuesday Laveau’s Workspace (c) Tuesday Laveau

-Tuesday Laveau



Quote for the Week

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The thing you have to be prepared for is that other people don’t always dream your dream. – Linda Ronstadt

Linda Ronstadt

Linda Ronstadt


Viva Kitty Twist

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I was always mesmerized by Kitty Twist, from the very first time I laid eyes upon her. I vividly remember the moment. She and The Black Pearl strode down the sidewalk arm-in-arm, looking distinctly as though they had just stepped directly from their time machine onto the muggy New Orleans street. Perle Noire was in her perfect spit curls and the very living image of Josephine Baker in an opulent evening gown.

Kitty Twist (c)

Kitty Twist (c) Don Corbitt

Kitty’s piercing, icy blue eyes smoldered into my vision from such a distance, I quite literally couldn’t take my eyes from her as they approached. She looked like a magnificent Hollywood spitfire, a peerless star from an era gone by. And not just a costumed vestige of a character; but the real, wild, unnamed woman from another dimension, standing right before me. I remember it so vividly because it triggered one of those surreal moments that I have only had the pleasure of experiencing in the Crescent City.  Past and present dance drunkenly together in a magical, hazy embrace; intermingling with sexy abandon. You’re unsure, just for that moment, what realm you may have slipped into.

Uncle Lionel receives his lifetime acheivment award, Ascona Jazz Festival (c) Michael Dardant

Uncle Lionel receives his lifetime acheivment award, Ascona Jazz Festival (c) Michael Dardant

Kitty always seemed to be of another time. We jokingly called her “the immortal” and fantasized that she had found the fountain of youth somewhere along her varied, magnificent travels. She had a quiet wisdom about her. Kitty Twist was the true definition of a timeless beauty. She had an amazing mind, and lightning wit.

Kitty Twist at New Orleans' Hi-Ho Lounge (c)

Kitty Twist at New Orleans’ Hi-Ho Lounge (c) Joseph Crachiola

Born to two phenomenal musicians, she had a musicality about her that was hypnotizing. To watch her perform was an honor and a privilege, truly. She inspired her peers with her vivacious and charismatic performances, leaving audiences spellbound, in sheer hysterics, or in awe on a regular basis. A burlesque, music, art, movie, and history buff, Kitty was always dropping gems of knowledge from the vast libraries in her mind.

Kitty Twist at New Orleans' Hi-Ho Lounge (c)

Kitty Twist at New Orleans’ Hi-Ho Lounge (c) Joseph Crachiola

She taught me so much in our short time as friends. She designed and created incredibly beautiful, exciting costumes and accessories, creatively constructed. She meticulously adapted a book by Kenneth Anger about old Hollywood scandals into a burlesque show of the same name, “Hollywood Babylon”. She directed, co-produced, co-choreographed, made many of the costumes, and performed in the show.

Hollywood Babylon Flyer featuring Kitty Twist as Clara Bow

Hollywood Babylon Flyer featuring Kitty Twist as Clara Bow (c) Jian Bastille

You can read a local review of “Hollywood Babylon” here and see Kitty Twist as Clara Bow in “Hollywood Babylon” here.

The cast of Hollywood Babylon (c) El Kirk

The cast of Hollywood Babylon (c) El Kirk

She found New Orleans at 18, running away from her Virginia home, and found the burlesque revival in the late 90′s in traditional strip clubs on Bourbon Street. Kitty became a resident member of Bustout Burlesque after auditioning in 2006, and graced the stages of Tipitina’s, La Chat Noir, Harrah’s, and The House Of Blues with them until 2010.

New Orleans Ziegfeld Show, featuring Kitty Twist (c) Don Corbett

New Orleans Ziegfeld Show, featuring Kitty Twist (c) Don Corbett

She competed in The Miss Exotic World Pageant in 2008, winning runner-up for best debut. She performed what was one of her signature acts for Bustout Burlesque, an electric, pistol-toting tribute to the great “Miniature Marilyn”, Candy Barr.

Kitty Twist after Burlesque Hall Of Fame Best Debut competition (c) Bob Debris

Kitty Twist after Burlesque Hall Of Fame Best Debut competition (c) Bob Debris

She guest performed with nearly every troupe in New Orleans, regularly performing with Fleur De Tease and traveling to Chicago to perform with Angela Eve in Eve’s Parlor. She helped create costumes for many of the productions she starred in. In the fall of 2010 she joined Slow Burn Burlesque.

Showghouls (c) Jian Bastille

Showghouls (c) Jian Bastille

Ben Wisdom and I were co-producing the show at the time, and we were so over-the-moon that she had said yes to our proposal. I remember feeling like we had just completed a dream-team resident cast! We wanted our audience to participate in welcoming our newest cast member at her first show with us, a Halloween show. Being the horror genre mega-enthusiast that she was, she had the idea to have a cult style ‘initiation’ finale routine, where she thrashed her flaming red hair and perfect, petite form with wild licentiousness to “Oh Fortuna”. A cloaked Roxie Le Rouge and I melodramatically assisted in the ritual. There was fevered, synchronized mutual stripping, hot wax on skin, glittery baptism, and a lot of spinning and carousing before the entire cast joined in the reveling crescendo of the Carmina Burana.

Roxie Le Rouge baptizes Kitty Twist with glitter at a Slow Burn Burlesque Show (c) Jian Bastille

Roxie Le Rouge baptizes Kitty Twist with glitter at a Slow Burn Burlesque Show (c) Jian Bastille

In 2011, we went to Switzerland together on the gig of a lifetime. Renowned jazz musicians from around the globe filled the air with sweet music for a two-weekend festival. Everyone got together for all night jam sessions after the festival closed for the nights. These were blow-your-mind, make you dance, make you cry, make you laugh, joyfully insane jam sessions. I remember sitting at breakfast one morning after one of said sessions. Michael Dardant sleepily cracked his last joke, digging into his food. I exclaimed that these may be the best eggs I will ever eat, and Trixie Minx serenely giggled at the both of us. Bella Blue smiled in her rock star shades and sipped her coffee sweetly, stoically. After a moment of silence among the five of us, Kitty Twist, in snoozy sincerity, turned to Trixie. “I can die happy now.” She says to her. “I have always wanted to be a 1920’s dancer in Europe, performing with jazz musicians and eating fancy eggs. I think I can die happy now, Trixie. Thank you”.

Nona Narcisse, Kitty Twist and Trixie Minx at the Ascona Jazz Festival

Nona Narcisse, Kitty Twist & Trixie Minx at the Ascona Jazz Festival

We four emphatically agreed with her, and took another dreamy moment to take in the amazing time we were experiencing together. She joked that the mountains of Switzerland looked exactly like those of West Virginia, and she was right. She had admirers all over the tiny town by the time we departed, and one character of an older gentleman we saw everywhere would gleefully exclaim, “Baby Twist!!” with shear amazement every time he saw her.

Kitty Twist's Anita Berber tribute (c)

Kitty Twist’s Anita Berber tribute (c) Don Corbitt

Like many creatives and artists, Kitty had drug addiction in her past. But unlike many, she came out of the other side of the storm. Being a recovering addict and alcoholic myself, it was comforting to have a friend that had been to dark places like I had, and returned to the light; to shine ever brighter. She gave me some hope. Sometimes we played and laughed like children, and it was fucking fantastic. She was sometimes very quiet, and I so relished having a platonic companion to just be silent with. To just BE with. I know that she was this person for many of her friends. Incredibly compassionate and loving, these qualities eventually led her to leave New Orleans to help her sister care for their father in Virginia.

Natalie, Kitty Twist & Nona Narcisse (c) Jian Bastille

Natalie, Kitty Twist & Nona Narcisse (c) Jian Bastille

I don’t wish to skirt around, or sugar-coat the fact that my kindhearted, talented and stunning friend took her own life. I have never before experienced the devastation that suicide leaves in its wake; both in the community and personally, for those left behind. Because she did leave us, depriving the world of her splendor. Suicide leaves so many questions unanswered, so many things left to say, or take back. I vehemently disagree with her decision, but am learning to live with her choice.

Nona Narcisse, Trixie Minx & Kitty Twist (c) Michael Dardant

Nona Narcisse, Trixie Minx & Kitty Twist (c) Michael Dardant

Aside from my understandings with my blood and my soul mate, I’ve never really had the foresight nor the desire to plan many people into my future, beyond the immediate. I can count on my right hand the number of individuals that I have made those plans with. Kitty Twist and I sat together and made plans to be friends late in life, and that means something very deep to me. We talked about the days when we could no longer perform burlesque, and concocted a few different wild, fun, silly and realistic plans for what we would do with ourselves in different phases of life. She was very special. I think of her always. Today, on her birthday, I will picture her carrying-on with Clara Bow in the great beyond, their birthdays five days apart. What a party they must be having, and I can spend hours imagining who is in attendance.

Kitty Twist & friends at 'Spanksgiving' (c) Jian Bastille

Kitty Twist & friends at ‘Spanksgiving’ (c) Jian Bastille

Her family and friends refuse to let her story fade, or be forgotten. Some of her writings about burlesque were read at the BHOF weekender by Bella Blue in 2014 at the special addition of Naked Girls Reading. Her photo is in the Burlesque Hall of Fame museum. I will not let the memory of her joy, or the reality of her dark side and struggles fade either, and I will not allow the pain of missing her to dull the memories of the laughter and beauty that she created. Her contributions to the burlesque revival in New Orleans, the creative and innovative things she did as a skilled practitioner of the Art of the Tease, and the positive impact that she had on her creative community. All of her gifts as a creator and designer. All of the adventure, dance and fun that she inspired in those around her. The love and kindness she cultivated and spread. The mischievous frolicking and the innocent play that her memory continues to embolden within me on a daily basis.

We are imperfect creatures. One can only hope that when we die, someone laughs forgivingly and lovingly at the many great follies of our human condition; and in some way just appreciates our finite time that we shared here; with a few billion others. Kitty Twist was appreciated far more than I believe she realized in her life. She will continue to be greatly missed, but her memory lives in those she inspired, and in those that will forever love her.

Some words from others:

“When I first met Kitty Twist in 2006, I was a little bit scared of her; to me she was this exotic creature that had lived a wild life I could never even imagine. Through circumstance we did not merely become friends but we became family. Our relationship might have seemed strange to some but it was rich in art & love. To me she was a mentor and to her I was a mother.

The story I am sharing is just one of many wonderful memories of Kitty. A while back she asked if she could live with me to help save money so she could travel to take care of her dad. I told her she could stay with me free of charge as long as she worked towards making all the wonderful dreams and ideas she had a reality. In what was a normal boring weekday morning we sat down and made a list that set the pace for the next 2 years of her life. Included in this list was: creating/writing the Hollywood Babylon show, performing in Europe, and documenting her mother’s legacy, among other goals. Every morning we would talk about what she was going to do that day & over time she started to check each item off her list. I sometimes think that part of her leaving this world had to do with her accomplishing these goals and wished we had made a longer & more difficult list.

Bella Blue, Trixie Minx, Nona Narcisse & Kitty Twist at the Ascona Jazz Festival (c) Michael Dardant

Bella Blue, Trixie Minx, Nona Narcisse & Kitty Twist at the Ascona Jazz Festival (c) Michael Dardant

She would often say “Burlesque is like a firework. A big dramatic explosion of light but eventually it falls to the ground & everyone is just trying to grab the last spark.”

I believe with every ounce of my being that Kitty Twist was a talented creative force that simply could not be contained by the banality of mediocrity. I hope that her passion for art lives on through those she’s inspired & in that way she will never truly be gone.”

Trixie Minx

“It really isn’t a Mardi Gras without her. Over the last week I had her in my thoughts so many times. I was cleaning out my closet in my New Orleans house room and I found a dress she made for me to wear at the clubs during carnival. I feel like she was with me this year. Her dress now hangs on my wall in my room. I know a lot of us spent carnival with her and we all miss her.”

Angela Eve March 2014

Kitty Twist & Angela Eve (c) Shadow Angelina

Kitty Twist & Angela Eve (c) Shadow Angelina

“Kitty use to post some of the best photos of things. Interesting and beautiful like herself. I actually copied some into a folder when she would post them. I now consider them treasures. I wish I had more of them.”

Ruby Rage

Talented photographer Kaylin Idora captured some utterly breathtaking images of Kitty that you can find here.

Also, you can find an article Kitty wrote about two of her favorite subjects, Halloween and burlesque for CoochieCrunch here.

Some more links to check out:

Kitty Twist in ‘Burlesque To the Future’ at Slow Burn Burlesque.

Kitty Twist at The House of Blue.

Kitty Twist Fan Page

Kitty Twist on Southern Babylon

About the author:

Nona Narcisse is a Model, Burlesque Artiste and Variety Entertainer, currently residing in Baltimore, Maryland. She is a founder of Slow Burn Burlesque.

 

 

 


Quote for the Week

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The racism, the sexism, I never let it be my problem. It’s their problem. If I see a door comin’ my way, I’m knockin’ it down. And if I can’t knock down the door, I’m sliding through the window. I’ll never let it stop me from what I wanna do. – Rosie Perez

Rosie Perez

Rosie Perez


Things We Like: Lickety Split

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Watch out Bristol, there is a new club night in town and we love it! Run by a non-profit queer women collective, their goal is to bring eclectic live music, artists and performance to entertain the women of Bristol.

We love it and you will to! Next show is Friday 15 August at The Queen Shilling (also the home of Psycho:Drama, another favourite club night and of course, Bristol Burlesque Festival!)

Do it!

Lickety Split at The Queen Shilling, Bristol, 15 August 2014

Lickety Split at The Queen Shilling, Bristol, 15 August 2014

Find them on Facebook here!


Breathing Through Tears

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Two years ago, I had the pleasure of taking Legs Malone’s “Healing Your Relationship With Your Body” workshop. Among many other things I gained from that class, I was really taken by Legs breathing. Through out the class, she maintained a yogic breath that she would breathe more deeply in to as we delved further in to painful or difficult subjects. It was a supportive breath. It was a breath that let us, her students, know that she was listening. Simply listening. Free from judgment, free from fear. Just listening.

Burlesque dance moves most deeply from the hips and pelvis, so as I have been afforded more and more wonderful opportunities to teach, I have worked hard to create a sequence of stretches to open each class with that ensure open hips. And, equally as important, an open heart. 

Legs’ influence has remained with me and subsequently, as I opened my class with a deep stretch, I began to close my classes with a simple breathing exercise. Myself and each student sit comfortably cross-legged on our yoga mats and I invite them to close their eyes, lower their heads, place their hands upwards on their knees. I give little more instruction than that. Occasionally an affirmation to focus on, but usually I ask them to simply take a deep breath, feel their lungs expand on the intake, then empty on the exhale. Repeat. We sit. Music playing softly in the background. The squeak and thump of practicing pole dancers on the other side of the studio. We breath as individuals. We breath together. 

After a minute or so, I’ll ask the students to bring their breathing back to their natural cycle, to slowly bring their awareness back in to the room and to raise their heads and open their eyes when they are ready. In the 18 months or so I have been closing my classes this way, I have found that there is frequently at least one woman who opens her eyes to find tears rolling down her face. 

The Wave - Hokusai

The Wave – Hokusai

Initially when this would happen, I would feel concerned. When you care for someone, as you do for your students, your reaction to their sadness, pain or frustration is to tell them it’s ok. To make it better. To stop them feeling that way. One thing I have learned is to let them feel that way. Offer to talk, offer to listen, but don’t invalidate what they are experiencing. 

I have learned that these tears are infrequently tears of sadness. They are tears of release, of joy, of retrospection. And every time they flow I am honoured to have created a space where women can breathe.

 

Tuesday Laveau

 


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