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Halloween on CoochieCrunch!

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It’s that time of year again. Daylight takes on an autumnal, amber glow, the leaves on the trees turn gold, ochre and copper, the nights draw in and CoochieCrunch turns over to all things Halloween. Over the next four weeks we’ll be bringing you our favourite Halloween icons, films make-up and every other spooky thing we can find.

Tuesday Laveau as Loup Garou (c) Clementine Schneidermann

Tuesday Laveau as Loup Garou (c) Clementine Schneidermann

Also this October is the second Bristol Burlesque Festival taking place in three venues around Bristol on 9, 10 and 11 of October 2014.

Bristol Burlesque Festival 2014. October 9, 10 & 11.

Bristol Burlesque Festival 2014. October 9, 10 & 11.

We even have a full day of workshops at Pink Kitten Dance School Saturday 11 October to help you let your inner awesomeness out.

Workshops at Bristol Burlesque Festival 2014, 11 October at Pink Kitten Dance School

Workshops at Bristol Burlesque Festival 2014, 11 October at Pink Kitten Dance School

So, join us here for everything Halloween and at Bristol Burlesque Festival 2014 for three days of Guerrilla Burlesque. We can’t wait!

 

Tuesday Laveau



Horror Icons – Angela from ‘Night of the Demons’

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Welcome to CoochieCrunch’s ‘Halloween Icons’. We’ll be listing some of our favourite terrifying or terrified characters and rating them on a list of creepy criteria including Terror Factor, Costumability i.e. how readily does this character become a horrifying Halloween costume and Icon Factor.

Angela – Night of the Demons (1988)

I first watched Night of the Demons one All Hallow’s Eve with a group of girlfriends when we were all 16. The film tells the classic 80’s horror movie story of a group of teens who plan to hold their night of Halloween hijinks at an abandoned morgue rumoured to be haunted by disgruntled spirits. Party host Angela is soon possessed by one of these demons and transforms in a gothic, demon bride.

Angela from Night of the Demons (1988)

Angela from Night of the Demons (1988)

 

Costumability  –  To my group of 16 year old girls, Angela was the ultimate in Halloween cool. She’s like a Horror movie Courtney Love! It’s a very easy look to recreate. A rat-tailed comb and lot of hairspray will create Angela’s pooled out do, then just add some of Madonna’s ‘Like a Virgin’ jewellery, a black veil and Voila! Angela!

8/10

Terror Factor – Angela is pretty menacing, but you’re kind of rooting for her to triumph over the preppy kids. Those teeth are pretty terrifying though.

7/10

Icon Factor – Angela is an excellent Horror icon. The fact that she is featured in the not one, but two Night of the Demons sequels plus the 2010 remake is testament to this.

7/10


Horror Icons: Samhain from “Trick r Treat”

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Welcome to CoochieCrunch’s ‘Halloween Icons’. We’ll be listing some of our favourite terrifying or terrified characters and rating them on a list of creepy criteria including Terror Factor, Costumability i.e. how readily does this character become a horrifying Halloween costume and Icon Factor.

Trick R Treat

Trick R Treat

Samhain – Trick R Treat (2007) Trick r Treat  is a classic Halloween film that has gained a lot of momentum and a strong cult following since it’s limited 2007 release. It follows the Creepshow format of stringing together separate short stories through out the film, though they hold a common thread. That common thread comes in the petite terror that is Sam (Samhain.) Sam is an almost benevolent figure. As long as you proudly display your carefully carved Jack-o-Lantern and done a Halloween disguise, Sam is happy. But if you don’t, look out!

Terror Factor – Sam is sweetly terrifying, his small stature and his weapon of choice, a slightly gnawed on pumpkin lollipop, means he can pack an unexpectedly big terror punch.

7/10

Costumability – A good Halloween costume has a certain amount of practicality. Sam has his priorities right, he’s comfortable in flat shoes for covering trick r treat ground, a warm jumpsuit to keep you cosy from the crisp, autumnal air, and a burlap sack that unstitches over the mouth so you don’t miss out on weird pumpkin beer.

10/10

Icon Factor – Sam first appeared in an animation short Season’s Greetings in 1996, since then he has gained a true cult following with his own action figure and promised Trick r Treat sequel.

9/10 


Things We Like Halloween Edition: Rockabilly Red Hair Flowers

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Welcome to the Autumnal Edition of Things We Like! We are delighted to feature the talents of Bristol based Blogger and Creator Rockabilly Red.

Rockabilly Red

Rockabilly Red

Ms Red has created a whole range of spooky, stylish and seasonal hair flowers and fascinators perfect for October and beyond. Each piece is hand crafted by Red and features seasonally suitable accoutrements from skulls, to flowers and autumnal fruits.

On discussing what inspires her, Red says, “I’m way too excitable to be cool and I think that’s what motivates me. I’m like a little child falling over myself to take in all the colours, textures, materials and vibes of each and every season and situation! People inspire me. From the Sophis Miss, to the outright raunchy Burly girls…Whether you want to sup vintage champagne, frollock in the Autumn leaves, or get downright dirty in a desirably dingy club, my accessories can be customised and created just for you.”

You can find Rockabilly Red here. You can purchase her beautiful creations here.


Horror Icons: Delbert McClintock from “Arachnophobia”

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Welcome to CoochieCrunch’s ‘Halloween Icons’. We’ll be listing some of our favourite terrifying or terrified characters and rating them on a list of creepy criteria including Terror Factor, Costumability i.e. how readily does this character become a horrifying Halloween costume and Icon Factor.

Arachnophobia (1990)

Arachnophobia (1990)

Delbert McClintock – Arachnophobia (1990)

Arachnophobia falls firmly in to the category of ‘Family Horror Movie’. It’s a good story, well told with a few enjoyable jumpy-scares along the way and you could happily pop some popcorn and watch it with your (non-scardey cat!) kids. The gross out factor of this film is heavily weighted by how you feel about the titular monsters. If you dig our eight-legged friends, then you may find this an enjoyable romp. If you are not such a big fan of spiders, you may find that the hairs on the back of your neck stand up as as you watch this movie.

But we’re not here to talk about the spiders in Arachnophobia. Oh no. We are here to talk about the scene stealing star of the show, Delbert McClintock. A smack-talking, spider-stomping badass.

Delbert McClintock

Delbert McClintock

Terror Factor – Delbert is a pretty easy going dude, though he wields a mean bug sprayer. Overall the terror factor is minimal.

3/10

Costumability – Like Samhain, Delbert is a pretty practical costume. Bugs-B-Gone hat, thick glasses, pocket protector, blue/green short sleeve shirt and matching pants and you’re good to go. If time permits, you can build a pretty awesome bug spray back pack out of some 2 litre soda bottles and whatever gauges and tubing is laying around in your garage. Bonus points if you can pay a neighbourhood kid to follow you around and play Delbert’s theme song on a harmonica.

8/10

Icon Factor – Delbert is totally under appreciated. Dress up as him this Halloween and make him the icon he deserves to be.

7/10 


Horror Icons: Ripley and/or the Alien from “Alien”

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Welcome to CoochieCrunch’s ‘Halloween Icons’. We’ll be listing some of our favourite terrifying or terrified characters and rating them on a list of creepy criteria including Terror Factor, Costumability i.e. how readily does this character become a horrifying Halloween costume and Icon Factor.

Alien (1979)

Alien (1979)

Alien (1979) Y0u might not consider Alien to be a Halloween film, it isn’t themed around the holiday, but it is a seminal horror movie that changed the face of both the horror and science fiction genres. With burlesque being an industry for women and by women, I think we can all also appreciate that this movie created one of the biggest and most kickass female icons in movies to date! Unless you live in deep space you will know that this movie is such a cult success it went on to spawn sequels across several genres, moving away from it’s horror origin and creating a cinematic universe. The story of Alien is simple, and frightening – a ship is rerouted to investigate a distress signal, resulting in the alien impregnation of one of the crew. On being born the alien proceeds to literally tear through the crew as they make an effort to escape their claustrophobic environment, save themselves and destroy the alien. There can only be one survivor!

Terror Factor – Though it has arguably lost some of it’s impact over the years, at the time of release Alien was a physical and psychological horror – face huggers, forced impregnation, being trapped in a confined space with a monster and all the shocks along the way (did I mention the killing machine of an alien is near indestructible and has acid for blood). Remember, in space no one can hear you scream.

9/10

Costumability – Ripley is the easier option, you can go as simple as an overall and, at most, go to the effort of getting an iron on Nostromo crew crest to complete the look. Alternatively if the cold is no bother to you, you can go with the hibernation look – white vest and panties. You should always complete the Ripley look with the addition of Jonesy the ginger cat and crewmate (a stuffed one will do just fine).

The Alien is possibly the more fun option, though slightly more difficult – if you’ve got a few months and mad creative skills you could make something awesome (like the below). Alternatively, a pointy bike helmet, some imaginative make up, black clothes and some piping made of used toilet rolls is a possibility!

Ripley & Jonesy

Ripley & Jonesy

7/10 – depending on how much effort you want to put in

Alien Costume

Alien Costume

Icon Factor – Since 1979 both Ellen Ripley and the Alien have become huge horror and science fiction icons, only paralleled by some of the bigger movie franchises out there. Dress as either and you will be instantly recognisable.

10/10

By guest blogger L.E. Turner (Tiger Tiger)


Drag Makeup Masterclass: Painting for the Back Row with Dis Charge

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An awesome opportunity to learn the art of stage make-up with CoochieCrunch Superstar, Dis Charge.

Who wants to be natural when you can be SUPERNATURAL?! Dis Charge, in association with Pink Kitten Dance School and TalkToxic.co.uk, will be hosting her first drag masterclass designed to provide you with the tools to enhance and embolden your performance aesthetic or sneak a heavy dose of colour into your costuming.

paint

Drag Make-Up Masterclass with Dis Charge at Pink Kitten Dance School. 16 November 2014

Running from 1pm – 4pm on Sunday 16th November, the class will also have a tbc guest photographer to snap your uber-glam drag looks at the end of our session, so bring a little something something to shimmy into, though Miss Dis will be bringing a few props of her own to pose with!

Tickets can be purchased by clicking here and cost £10 

** This class is available to ALL who would like to attend regardless of gender, come down, get fabulous and freaky! **

Dis Charge (c) Tony Barrett Powell

Dis Charge (c) Tony Barrett Powell

Drag Make-up Masterclass with Dis Charge

16 November 2014

1:00pm to 4:00pm

Pink Kitten Dance School

The Old Malt House

Little Ann Street

Bristol

BS2 9EB

Tickets are £10 and available here


Interview: East London Strippers Collective

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Stacey Clare of East London Strippers Collective discusses the issues facing London based Strippers and her work through the ELSC to give power back to the Dancers.

What is the East London Strippers Collective?

ELSC is a group of professional strippers who have come together through a shared grievance over poor working conditions and exploitative business practises in the industry, and licensing legislation that does nothing to help, but in fact further stigmatises and marginalises strippers. ELSC aims to promote the self-organisation of strippers and lap dancers in London and the UK, to challenge societal attitudes about strip club activity, and to bring about changes and improvements to working conditions at an industry level.

Stacey Clare of East London Strippers Collective (c) Sin Bozkurt

Stacey Clare of East London Strippers Collective (c) Sin Bozkurt

By organising events that celebrate their chosen profession and provoke wider public discussion and debate, ELSC hope to challenge stereotypes, smash through stigma, promote gender equality and fair business practises within the industry, and create a powerful alternative to the current status quo.

Tell me about the exploitation you are seeing in clubs?

The most exploitative thing about working in clubs at the moment is being expected to pay house fees that are often unrealistic and unfair. Because strippers have no real employment rights, either as employees or as independent contractors (we don’t get given contracts) club owners and bosses can run their businesses as personal fiefdoms, discriminating against girls over body type, skin colour, breast size, sacking whomever they choose, favouring others. There are some good clubs that are well run, but it’s harder than ever to get work and keep hold of it once you’re in. Because of this tension, you’re more likely to accept poor standards like cold changing rooms or sleazy DJs, because to speak out is to be fired.

East London Strippers Collective (c) Vera Rodriguez

East London Strippers Collective (c) Vera Rodriguez

Do you have a plan of action to redress the balance of power between Dancers and Club Management?

I don’t think there is much we can realistically do about work standards in the industry until the law changes. There is currently no law that dancers can invoke to protect themselves against discrimination and/or unfair dismissal as employment law has somehow skipped over us – until we are legally acknowledged as workers, instead of victims of abuse as we are currently defined by present day licensing, then clubs aren’t going to change the way they do things.

East London Strippers Collective (c) Millie Robson

East London Strippers Collective (c) Millie Robson

The way ELSC hope to change things is by creating a more positive alternative, where dancers are treated as equals and respected for the work they do. By running our own events, ELSC members are beginning to organise and work as a team, instead of competing against each other as we have to in a club environment. Once we can show an example of a self-organised, fair business model where profits are distributed equally, and most importantly is run by the dancers themselves, then we have a better chance of influencing change.

What is the biggest issue facing modern Strippers?

House fees are a major problem, as there seems to be no controls over clubs and how much they charge – in most cases they will just take as much as they can get away with. Licensing legislation is also extremely detrimental, and has caused further stigmatisation of our workplace and chosen profession.

What kind of reaction have you had from people through your social media?

It’s generally been amazing. We’ve had lots of attention and lots of support. We are obviously benefitting from the platform, as it seems as if we are one of the first groups of strippers in the UK to begin collectivising via social media. For example all the members of the ELSC use facebook as the main point of contact and medium for dialogue. We’ve been able to use it to promote our events, and it is really beginning to gather pace – and we are always particularly happy when other dancers get in touch to ask about us. We totally welcome other strippers who feel the same way to get in touch and join the cause.

(c) East London Strippers Collective

(c) East London Strippers Collective

What do you see as the future of Stripping?

Well, my personal ambition is to open Europe’s first ever strip club cooperative, owned and run by the dancers themselves, following in the footsteps of the Lusty Lady in San Fransisco. Our manifesto outlines some pretty clear objectives, such as disturbing the patriarchal conventions on which the industry has been built, promoting gender equality, encouraging and supporting the prospect of male dancers, female viewers, mixed audiences and trans/queer participants. Stripping culture needs to keep up with progressive ideals, and while society is becoming more accepting of sexual diversity, strip clubs should reflect that.

Do you see the role of Feature Dancers making a return?

I don’t even really know what that means, I’m guessing that term comes from a previous generation when strip clubs used to be places where the stageshow was everything, and dancers could make a living from travelling from club to club performing a specialised routine. I’ve come from the lap dance generation. Dancing on stage has always come naturally to me, and I’ve always resented not being paid for it, but having to hustle for private dances instead. There are a few remaining strip pubs where dancers can still do jug collections before their stage shows, it’s still a novelty and can occasionally be lucrative. But the days when clubs paid the dancers to turn up are well and truly gone. It seems as if the industry has lost respect for the dancers’ actual skills and is only now preoccupied with what dancers look like – which doesn’t seem right. I guess we are kind of beginning to reintroduce the tradition of Feature Dancers with our ELSC events – lets see what happens!

What effect have recent licensing laws had on you and your work?

This is a long story, and very complex. But to try and simplify it, current licensing laws effectively classify strippers as victims of abuse. Section 27 of the Policing and Crime Act 2009, places strip clubs and lap dancing venues in a category of law that deals with sex offenders and trafficking. This is outrageous, because by reclassifying us as sex workers and lumping us in with this list of offences, the wider impact of licensing has served only to further stigmatise us. It seems as if there is a moral campaign that seeks to stamp out all forms of sex work by criminalising it, and it looks like the latest licensing reforms are a step towards eventually criminalising lap dancing. The current licensing is setting very dangerous precedents – by conflating all forms of sex work with sexual violence it becomes increasingly difficult to discern and distinguish real victims of abuse from those who aren’t. Instead of offering any real solutions to the problems within the industry, licensing has only pushed us further out to the fringes of social acceptability, leaving us even more vulnerable. Academics Teela Sanders and Kate Hardy at Leeds University offer the term “empty shell” licensing, which is a perfect description. All that has been achieved has been to give councils greater powers to close clubs down, which they can now do on moral grounds – so prohibitionists now have the upper hand.

East London Strippers Collective (c) Anslem Burnette

East London Strippers Collective (c) Anslem Burnette

Do you think the rise of Neo-Burlesque has had any impact on Strip Clubs or the way Stripping is perceived?

I think Neo-Burlesque is cool and I am a fan of some amazing performers like Kitty Bang Bang. I dabbled with burlesque when I first began stripping, but it didn’t pay as well. But I think there is a definite tendency among the burlesque scene for performers to look down their noses at strippers by dismissing them as cheap and tacky. This kind of attitude doesn’t help anyone, it only creates more stigma around people’s choices – it’s bullshit. I’d like to think burlesque performers are my allies and fellow artists, but anyone who wants to place themselves above another group is only creating further problems later on. The current pattern with licensing is looming over other industries, as proven by Last Tuesday Society founder Victor Wynd’s latest brush with Hackney Licensing authority. We all need to work together if we want to turn back the tide of moralistic licensing, not be discriminating against each other in a fight for supremacy.

Where can we find out more about ELSC?

Our Facebook page.

What’s your next event?

Saturday 8 November 2014 we are having our next pop-up strip club party in Bethnal Green. (Click here for more info)

Thursday 20 November 2014 our first public talk in Aldgate. (Click here for more info)

East London Strippers Collective (c) Millie Robson

East London Strippers Collective (c) Millie Robson

Quick Fire Questions!

Best moment Stripping?

Being naked at the top of a pole having Happy Birthday sung to me on my 30th was a highlight.

Favourite Stripper?

The lead female character in the film The Wrestler. She is a pretty accurate portrayal of a real life stripper, and her stage show near the end of the film is brilliant, regardless of whether she is an actress playing a role in a film – she is hot! I also love Courtney Love playing basically herself in The People vs. Larry Flynt.

Courtney Love in The People vs. Larry Flynt

Courtney Love in The People vs. Larry Flynt

Favourite dance shoes?

For onstage, my thigh length black pvc 8 inch heel boots that lace up the back, even though they are a bitch to wear. But for a whole shift working the floor, my little 3 inch heel clear plastic mules are the only shoes that don’t leave my feet in agony.

Bucket list club to dance in?

Obviously, the Lusty Lady in San Fransisco was the mecca of the strip club industry for me. Now that’s gone I’ll have to open my own bucket list cooperative strip club to dance in!

The Lusty Lady, San Francisco

The Lusty Lady, San Francisco

Keep up to date with East London Strippers Collective on their Facebook page.



It’s a CoochieCrunch Christmas!

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It's a CoochieCrunch Christmas! 19 December 2014 at Smoke & Mirrors, Bristol

It’s a CoochieCrunch Christmas! 19 December 2014 at Smoke & Mirrors, Bristol

CoochieCrunch Presents: It’s a CoochieCrunch Christmas!

CoochieCrunch is back with a freaky, festive, fierce holiday show!

Featuring:

Titsalina Bumsquash

Barry Island

Ivana Van Der Fluf

Ally Katte

Foo Foo Labelle

Tabitha Tease

and Tuesday Laveau

Hosted by the gorgeously gruesome Dis Charge

Friday 19 December 2014

Doors at 8pm SOLD OUT

Show at 9pm

***UPDATE***

***LATE SHOW ADDED***

Friday 19 December 2014

Doors 10pm

Show 10:15pm

Tickets £8.50 Plus service fee
£10.00 on the door

Smoke & Mirrors
8 Denmark Street
Bristol
BS1 5DQ

CoochieCrunch@gmail.com

No refunds except in the unlikely event of show cancellation.
No late admittance.

Line-up subject to change

Tickets Available Here


Advent Calendar: 1 December – Oh! Carolina

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Oh! Carolina

Glamour, raunchiness, homage to strippers of the past, breaking rules, being creative, dance!

Oh! Carolina at Bristol Burlesque Festival (c) Michael Goes Click

Oh! Carolina at Bristol Burlesque Festival (c) Michael Goes Click

 


Advent Calendar: 2 December – Sandy Sure

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Sandy Sure

Burlesque to me is a creative outlet to all the inspiration I’ve gathered my whole life, from cinema, dance, comedy, music, fabric, characteristics of people I’ve met and many other things. It gives me the opportunity to have fun while playing at being someone else who may be very different from myself in real life, and to challenge an audience’s perception of what burlesque is, whilst entertaining them!

Sandy Sure (c) Liz Armitage

Sandy Sure (c) Liz Armitage


Advent Calendar: 3 December – Didi Curv’e & Honey Holiday

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Didi Curv’e & Honey Holiday

Releasing the ridiculous and hilarious thoughts in our mind and sharing them on stage with extra sequins. We enjoy so you enjoy.

Didi Curv'e & Honey Holiday at Bristol Burlesque Festival 2014 (c) TBP Photography

Didi Curv’e & Honey Holiday at Bristol Burlesque Festival 2014 (c) TBP Photography

 


Advent Calendar: 4 December – Ally Katte

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Ally Katte

Badass misfits challenging the world’s views on gender, sex and humour one shimmy at a time.

Ally Katte (c) Tony Barratt Powell Photography

Ally Katte (c) Tony Barratt Powell Photography


Advent Calendar: 5 December – Barry Island

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Barry Island

It is an opportunity to take a risk on being creative and push my own boundaries. It’s performing with and in front of some of my best friends and biggest influences.

Barry Island (c) Clixx Photography

Barry Island (c) Clixx Photography

 


Advent Calendar: 6 December – Teezy Overeazy

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Teezy Overeazy

Burlesque to me is about expressing and exaggerating the aspects of your personality, opinions, thoughts and self, in a way that may not be possible in everyday life, due to various restrictions. It is about expressing them in a way others find entertaining, thought provoking, beautiful or downright dirty! It’s about utilising existing skills, learning new ones, embracing all your quirks and always striving to put on a better show than the last, each time you get up on stage.

Teezy Overeazy at Bristol Burlesque Festival (c) TBP Photography

Teezy Overeazy at Bristol Burlesque Festival (c) TBP Photography



Advent Calendar: 7 December – Lou Leigh Blue

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Lou Leigh Blue

Merkins and more! A chance to show the world what I’m made of and do it covered in sequins! It’s a way of expressing raw emotions and powerful individuality whilst on a platform entertaining others.

It allows me to have a creative outlet for my dance history, my constant need to make things and always have something to work towards.

The cabaret life style is a fabulous one. Being surrounded by like-minded people who also feel as passionate about performing as I do, not to mention the constant source of humour, drama and most importantly the friends i’ve made on the way.

Lou Leigh Blue (c) Eric Wright

Lou Leigh Blue (c) Eric Wright


Advent Calendar: 8 December – Tickety Boo

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Tickety Boo

Burlesque is everything! It is not just a hobby or a little thing I do from time to time, it is my life and I love it; I live and breathe burlesque on a daily basis. As a performer, an audience member, a fan, a follower, a member of the community and someone who takes an active interest in who’s doing what, where and when; every day is a burlesque day, not just the days I take to the stage!

Tickety Boo (c) Tickety Boo

Tickety Boo (c) Tickety Boo


Advent Calendar: 9 December – Mimi Amore

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Mimi Amore

Since starting Burlesque, I have gained so much awareness of who I am and what I stand for. When I am performing I feel delicious and empowered. I am able to express my sexuality however I choose and bring out my personality within the work. The community of women that I have met through Burlesque has been inspiring, sisterhood is ever so present and getting stronger each year. I love what I do and I love the people I meet because of what I do.

Mimi Amore (c) Darren Harwood

Mimi Amore (c) Darren Harwood

 


Interview: Sex Workers’ Opera

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Siobhan and Alex Of Experimental Experience discuss their exciting new project, Sex Workers’ Opera.

Tell us about the Sex Workers’ Opera, how and when did you first come up with the idea?

The Opera really came about in a set of serendipitous events. As a young theatre group we were on the lookout for fresh ideas and inspiration. Our focus is in community arts and we have links to many grassroots activist organisations – so when we met Clouds Haberburg (who co-founded feminist opera company Better Strangers Opera) and they gave us the concept of the Sex Workers’ Opera – it seemed like the perfect project for us.

We then set to work building and strengthening our links within Sex Work Activism and the Royal Opera House subsidised our training in writing opera with community groups and we visioned the workshop model, the methods for involving Sex Work voices worldwide and crowdfunded the production.

Sew Workers' Opera (c) SWO

Sew Workers’ Opera (c) SWO

Why Opera?

Opera has a rich history of telling stories about Sex Workers, but never from the perspective of the Sex Workers themselves – La Traviata is an example of this. We wanted to subvert this tradition and create an anti-Opera – inspired by The Beggars Opera and the Threepenny Opera.  We use the term loosely, spanning music genres and theatre styles, from Opera to Hip-Hopera, invisible to immersive theatre, sound art to projected poetry and physical letters from around the world. We also wanted to contrast one of societies’ most silenced and stigmatised voices with one of it’s most respected institutions.

Why Sex Workers?

In art and the media Sex Workers are constantly misrepresented and spoken for. Think – how many times have you seen a narrative unfold on screen where a main character is a sex worker? Now think about those characters, how many of them either gave up their career because they were saved by their “one true love” – or just simply died at the end? It sounds simplistic but sadly this is almost the only way that Sex Workers are represented in art. We don’t hear from the voices of those with families, partners who accept and understand their work, or indeed those workers who don’t even love or hate their job but just view it as a job.

This one sided representation of Sex Workers only leads to more stigma. Considering there is already an incredible amount of stigma that currently surrounds Sex Workers, stigma that leads to very real risks such as being unable to report crimes for fear of not being believed, we believe that art has a moral obligation to start representing Sex Workers more accurately.

The movement to get Sex Workers’ voices heard is a fight that has been going on for a very long time, but now it seems that more everyday people are sitting up and listening. There is still so much more to be done and so much to learn but it feels as though the ball is rolling in a positive way and we are so glad to be a part of a growing movement.

Sew Workers' Opera (c) SWO

Sew Workers’ Opera (c) SWO

Do you have an overarching goal you wish to achieve with this Opera?

We want three main things:

1. For a particular group of workers in a particular moment in time to have a space to bond as a group, develop performance skills and create and share a piece of art which gives voice to their experiences.

2. To create a respected platform which normalise Sex Workers being able to tell their stories and express their political needs in their own words and on their own terms through their own creative process where the media and political machines are bent on silencing and misrepresentation.

3. To spread a workshop model for creation of meaningful art about their lives by marginalised groups.

How will you be training the volunteers who join you? What different skills do you expect to teach?

Everyone is creative and everyone is born an artist – that we cannot teach – however none of our group need any performance or theatre experience to be involved.

We always begin with group bonding and emotional sharing to build trust whilst sharing sensitive issues. We then provide vocal training, theatre training using Grotowskian Theatre Reportage, forum theatre and community music collective writing activities. It is as important to build an emotional empathic bond as a group as it is to create quality entertainment. That’s why we work hard on creating a safe space for group sharing complex personal experiences which uncover the socio-political issues with which we engage the public audience.

Sew Workers' Opera (c) SWO

Sew Workers’ Opera (c) SWO

Who are your operatic heroes? Are there any Operas or Opera Singers you would recommend to a novice interested in learning more about Opera?

It may sound ridiculous, coming from a group who wrote, created and performed an Opera in three days but no one in the cast or crew actually knows a great deal about Opera.

This is actually something that is very important to us. Opera, Theatre and Art can sometimes seem extremely exclusive and off limits. Something that you have to learn and study and invest a lot of time and money in to be included.

We are walking, talking and singing proof that this is simply not true. Some of our performers had never sung on stage before, and audience members commented assuming they had spent years in Drama school and were professional singers.

We are here to say – if you are interested in Opera, be your own hero! Find some friends and sing some songs. Get on stage and create something!

Sew Workers' Opera (c) SWO

Sew Workers’ Opera (c) SWO

How can Sex Workers get involved?

1. We are still looking for Sex Workers to be in the cast/crew from underrepresented groups i.e. male-bodied, trans and non-white

2. Wherever you are in the world you can send us a story from your work, whether positive, negative or complex, to be featured anonymously in the show, on the Story Blog on our website and in our educational booklet. More info is available here  and you can look at our collection so far here.

3. We will also create a scene based on audio stories/conversations/interviews so anyone who prefers to speak their story, or if you know anyone who cannot read/write who wants to contribute, can do so in audio form in English or their first language and we will source translators if necessary

4. We are looking to Skype with Sex Work communities outside of the UK during our development workshops so our community can ask how other groups want to be represented and we can develop a sense of global solidarity. If anyone wants to organise a preliminary Skype session with the Directors to establish safety they can email participate[at]sexworkersopera.com

Sew Workers' Opera (c) SWO

Sew Workers’ Opera (c) SWO

What events do you have coming up? How can we support the Sex Workers Opera?

Come to our Christmas 1920’s Speakeasy Party fundraising for the show! Friday the 12th December 8pm at Tart Bar in Farringdon, London. We have a fantastic line-up of London’s top drag and burlesque acts coming down and all kinds of games and invisible theatre treats and surprises…(Clown lapdance anyone?) More info here.

Advance tickets are 25% off door price and early bird tickets have already sold out!

The full 2 hour show is coming back to London in January 2015 and will be bigger, braver, more personal and more global than before! It will be on at the Arcola Theatre in Dalston on January 26th, 27th, 28th and 29th. The ticket link will be on our website within two weeks.

We have no institutional funding which means we are not bound by any institutional agendas, but it means we have to bear all the costs ourselves as volunteers. To make the show possible we need to raise £5,000 in total. We are already 25% there but we need your help! Click here to give £1 or £1,000!

Sew Workers' Opera - Take a bow! (c) SWO

Sew Workers’ Opera – Take a bow! (c) SWO

You can find out more about Sex Workers’ Opera on their website and on Twitter. Don’t miss the Sex Workers’ Opera at the Arcola Theatre January 2015.


Advent Calendar: 10 December – Ruby Derrière

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When we created the Bristol Burlesque Festival 2014, we asked each applicant one important question: “What is Burlesque to you?” The answers made us laugh and cry and marvel at the beautiful variety our chosen art form presents. We’ll be sharing some of these responses with you in the CoochieCrunch Advent Calendar 2014. Check back every day this month up to the 25th for a new piece of Burlesque Inspiration!

Ruby Derrière

People often ask me why I do burlesque, or assume it is (actual quote) “a faux sense of female liberation”. It is different for everyone but I can assure you I do this for me and me only and am proof it does not matter what size, weight, colour you are to achieve this. I have had a life long passion for music and dance and Burlesque is a way of expressing not only yourself but a caricature of your inner traits/personality though the art of seduction, theatre, comedy and strip. Personally inspired by the visually exaggerated forms of a woman such The Little Mermaid, Jessica Rabbit, Anime, which from witnessing other performances throughout the years such as Venus Noir I have developed and moulded my own variation of burlesque into something I hope to be unique and challenges the reputation of what burlesque can bring.

Ruby Derrière (c) Elegant Exposure UK

Ruby Derrière (c) Elegant Exposure UK

 


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